
NAT MEADE
Face Shadow, 2022
Óleo sobre cáñamo
50.8 x 43 cm

NAT MEADE
Fence, 2022
Óleo sobre cáñamo
71 x 63.5 cm

NAT MEADE
Gust, 2021
Óleo sobre cáñamo
60 x 46 cm

NAT MEADE
Log, 2020
Óleo sobre cáñamo
45.72 x 50.8 cm

NAT MEADE
Pop, 2020
Óleo sobre cáñamo
60.96 x 45.72 cm

NAT MEADE
Graze, 2020
Óleo sobre cáñamo
45.72 x 50.8 cm

NAT MEADE
Knot Wood, 2020
Óleo sobre cáñamo
45.72 x 50.8 cm

NAT MEADE
JR, 2021
Óleo sobre yute
66 x 56 cm

NAT MEADE
Floater, 2021
Óleo sobre lino
40.64 x 35.56 cm

NAT MEADE
Streamer, 2022
Óleo sobre cáñamo
71 x 63.5 cm

NAT MEADE
Yellow sea, 2022
Óleo sobre cáñamo
81 x 71 cm

NAT MEADE
Feel flows, 2022
Óleo sobre cáñamo
76 x 56 cm

NAT MEADE
Breaker, 2022
Óleo sobre cáñamo
71 x 63.5 cm
Nat Meade (b. 1975, Greenfield, Massachusetts, Grew up in Portland, Oregon) es un pintor y educador afincado en Brooklyn que utiliza su obra para reflexionar sobre los complejos sentimientos que rodean la experiencia de atravesar las distintas fases de la vida. Las figuras de los cuadros de Meade se convierten en sustitutos de sí mismo en su investigación sobre la experiencia de convertirse en adulto, marido y padre, cada personaje se ve a través de la doble lente del autoescrutinio y las expectativas de la sociedad. Meade se licenció en Bellas Artes en la Universidad de Oregón y obtuvo un máster en Bellas Artes en el Pratt Institute.
Su obra se ha mostrado en exposiciones individuales como «A Hole is for Looking Through», Taymour Grahne Gallery, Londres, 2022); «Nothing, Happens for a Reason», Hesse Flatow Gallery (Nueva York, 2022) y «Never Learn Not to Cease to Exist», Honey Ramka, Brooklyn, Nueva York (EE.UU.), y en exposiciones colectivas en Pierogi Gallery (Nueva York, 2022), L21 LAB (Palma de Mallorca, 2022), The Hole Gallery (Copenhague, 2021), The Wunderwall (Bruselas, 2021) entre muchas otras.
La práctica de Meade ha sido reseñada en publicaciones como Artforum, Juxtapoz, The Boston Globe e Hyperallergic. Asistió a la Skowhegan School for Painting and Sculpture en 2009, al Sharpe-Walentas Studio Program en 2016, al Siena Art Institute en 2018 y a la James Castle House Summer Residency en Boise, Idaho, en el verano de 2021.
EDUCACIÓN
2009 Skowhegan School of Painting and Sculpture, Skowhegan, Main (US)
2007 Máster en Bellas Artes, Pratt Institute, New York City (US)
2001 Licenciatura en Bellas Artes, University of Oregon, Oregon (US)
EXPOSICIONES INDIVIDUALES
2023
Nurse Log. L21 Palma, Palma (ES)
2022
A Hole is for Looking Through, Taymour Grahne Gallery, Londres (UK)
Nothing, Happens for a Reason, Hesse Flatow Gallery, Nueva York (US)
2021
Bad Luck Buddy. L21 Gallery, Mallorca (ES)
2018
Never Learn Not to Cease to Exist. Honey Ramka, Brooklyn, New York (US)
2017
The Wait. Schneider Museum, Ashland, Oregon (US)
All Arounders. Froelick Gallery, Portland, Oregon (US)
2016
Undershadow. Froelick Gallery, Portland, Oregon (US)
2014
Pecker Tracks. Froelick Gallery, Portland, Oregon (US)
EXPOSICIONES COLECTIVAS
2023
CA’N BOOM!. L21 Gallery and Ca’n Marquès, Palma (ES)
CAN ART IBIZA 2023. L21 Gallery, Ibiza (ES)
Entre Cajas. L21 Home, Palma (ES)
2021
Paperworks Vol II, NBB Gallery, Berlin (DE)
Phase Three- East Hampton Hole, The Hole Gallery, East Hampton (US)
Enter Art Fair, The Hole Gallery, Copenhagen (DK)
The Symbolists: Les Fleurs du Mal, comisariada por Nicole Kaack and Karen Hesse Flatow. Hesse Flatow Gallery New York (US)
Melancholympics, comisariada por Sasha Bogojev. The Wunderwall, Buselas (BE)
2020
First, Second, Third Person. Pierogi Gallery, Brooklyn, Nueva York (US)
2019
Biophilia, comisariada por Emily Burns. Unpaved Gallery, Yucca Valley, California (US)
Selections: Works from Fine Arts Faculty, President’s Office Gallery. Pratt Institute, Brooklyn, Nueva York (US)
!QUIRK. Kathryn Markel Fine Art, Nueva York (US)
Distance: Works on Paper by Skowhegan Alumni, comisariada por Betsy Alwin y Steve Locke. Dorsky Curatorial Projects, Queens, Nueva York (US)
2018
Buddy System. Deanna Evans Projects, Brooklyn, Nueva York (US)
Interrupting Lines. pt. 2 Gallery. Oakland, California (US)
I Remember You Well- Part 2, comisariada por Adam Noack, Galerie Eigenheim, Weimar (DE)
2017
I Remember You Well, Curated by Adam Noack, Galerie Eigenheim, Berlin (DE)
Published by the Artist, Curated by Angela Conant and Grayson Cox International Print Center, Nueva York (US)
Crunch, Curated by Matthew Fisher. The Breeder Gallery, Athens (GR)
2016
Plus One. Trestle Gallery, Brooklyn, Nueva York (US)
Heads Up Game, curated by Suzanne Dittenber. Metcalf Gallery, Taylor University, Upland, Indiana (US)
Casual Deviant. Castledrone, Boston, Massachusetts (US)
2015
Befana’s Secret Booty. Orgy Park, Brooklyn, Nueva York (US)
Dogs and Cats, Curated by Nancy Grimes. Mark Miller Gallery, Nueva York (US)
Paintings in Trees. Peoples Garden, Brooklyn, Nueva York (US)
2014
Pierogi XX: 20th anniversary Exhibition. Pierogi Gallery, Brooklyn, Nueva York (US)
Wretch. Honey Ramka Gallery, Brooklyn, Nueva York (US)
Congregation, curated by Sheila Pepe. Gallery 106 Green, Brooklyn, Nueva York (US)
2013
Unhinged, Summer Group Show. Pierogi Gallery, Brooklyn, Nueva York (US)
2011
12 Painters 12 Hours. Rogue Space, New York, Nueva York (US)
2010
Five From Brooklyn. Froelick Gallery, Portland, Oregon (US)
I Know What You Did Last Summer. Saint Cecilia’s Convent, Brooklyn, Nueva York (US)
A Separate Peace-curated by Shane McAdams. McNeil Project Space, Nueva York (US)
Artist of the Week. Pierogi Gallery, Brooklyn, Nueva York (US)
2009
Winter Group Show 2009. Froelick Gallery, Portland, Oregon (US)
PUBLICACIONES
2021
Brooklyn Rail, The Symbolists: Les Fleurs du Mal, review by Elizabeth Buhe, March 2021
2020
Punch, Limited edition, Esopus Foundation
2019
Art Forum, review by Tod Lippy, March 2019
2018
Art Maze Magazine, Summer Issue 9
2017
Juxtapoz Magazine, Evolution of a Man, Sasha Bogojev, October 2017
Maake Magazine, Issue 5
Hyperallergic, From Interference Paint to Prompt-Driven Portraits, a Trip to Dumbo Open Studios, Seph Rodney
Two coats of Paint
2015
Art and Everything After, One Question, Steve Locke, June 4
The Boston Globe, May 25
2014
The Portland Mercury, Art Walkin’, A.L. Adams, Feb 12
2012
Tin House: Winter Reading, December 2012, Issue 54, Cover
The Berlin Journal, Spring 2012, Number 22, On Lonliness: The unbearable lightness of being alone, pages 18-23
Watercolor Magazine, Winter 2012, Morphing Memories, pages 84-91